Frightmare in the Falls, 2018
Presentation: Cult Escapism in Horror Cinema – a mini-lecture on the recent spate of horror films involving cults, including The Ritual, The Invitation, The Void, and The Endless among others. A closer look at narrative elements, mesmerizing aesthetics, and a compromised sense of reality!
Grim No.3 – Ghost Worlds featuring ‘Ghost Storytelling in the Digital Age’. Download a digital issue or pick up your own print copy here. Grim is a digital and print magazine that showcases the voices of women and LGBTQ+ writers and creators through essays, reviews, analyses, interviews, and short fiction.
Anatomy of a Scream
Anatomy of a Scream is a female-run, queer-positive horror entertainment and lifestyle site offering news, reviews, analyses, and humour with a feminist perspective. Follow on twitter: @aoas_xx!
- Squad Talk: Most Anticipated Horror of 2019
- Squad Talk: “Remaking” A Classic – Suspiria
- Heat Waves Make Creatures of Us All
- Junesploitation: On Horror, Sci-Fi & the Transgeneric Performance of ‘Human’
- Squad Talk: Hereditary’s Harrowing Family Drama
The Black Museum
The Black Museum is a quarterly series of horror lectures and screenings based out of Toronto, Canada. Co-curated by Rue Morgue Magazine‘s Executive Editor, Andrea Subissati, and Canuxploitation‘s Paul Corupe, the series typically hosts events at the Royal Cinema in Toronto’s West end.
In anticipation of the Masterclass with Director Gary Sherman (Poltergeist 3):
– Let’s Face It: A Reflection on the Multitude of Mirrors and Mayhem in Horror
– The High Stakes of High-Rise Horror Stories
Carleton University’s Faculty of Public Affairs publishes a digital journal to give voice to its community members: staff, faculty, students and alumni. Each issue includes articles, interviews, and book reviews.
Book Review | Iain Reid’s I’m Thinking of Ending Things
Issue – November/December, 2016: 12
Monster Pool: Chapter Two
1h 37min | Horror | 2016 | Canada
A feature-length horror anthology film, featuring “Time of Need”, directed by James Campbell (and written by yours truly). This is the third instalment. For more information, visit the film’s home site or IMDB page.
The Canadian Horror Film: Terror of the Soul
Featuring chapters on Pontypool, Ginger Snaps, 1970s slasher films, Quebec horror, and the work of David Cronenberg, among many others, The Canadian Horror Film unearths the terrors hidden in the recesses of the Canadian psyche. It examines the highlights of more than a century of Canadian horror filmmaking and includes an extensive filmography to guide both scholars and enthusiasts alike through this treacherous terrain. Available for purchase online.
Cellar Door Film Festival (CDFF)
A former 3-day grass-roots independent film festival that showcased the strange and unusual: horror, sci-fi, fantasy, and beyond.
“Tales of Terror in Québec Popular Cinema: The Rise of the French Language Horror Film since 2000”
Before the 2000s, the horror film was virtually non-existent in Canada’s Francophone film industry. Over the past decade, however, the situation has changed drastically. The recent emergence of a crop of successful French-language horror films, including Éric Tessier’s Sur le seuil (2003) and 5150 Rue des Ormes (2009), Philippe Gagnon’s Le Poil de la bête (2010), Daniel Roby’s La Peau blanche (2004), Daniel Grou-Podz’s Les 7 jours du talion (2010), Robin Aubert’s Saints- Martyrs-des-Damnés (2005), Pascal Laugier’s Martyrs (2008) and Jean Beaudin’s Le Collectionneur (2002), manifests a multiplicity of important transformations in Québec cinema in particular, and Québec society in general. This article suggests that the Québec horror film bears witness simultaneously to: (1) the productive diversification of the industry in the province; (2) the rise of filmic adaptations of popular literature as a viable practice; (3) the development of a critical perspective towards the traditional themes of Québec culture; and (4) the creative potential of co-production. These aspects position the cinematic tale of terror as one of the most informative objects of analysis in contemporary Québec film studies.
Unleashing the Furious Feminine: The Violence of Gender Discourse in Canadian Horror Cinema
Recent horror film theory largely perpetuates the rigidly structured gendered readings popularized by psychoanalysis. Such ideas no longer compliment a genre whose self-awareness often challenges patriarchal expectations. This analysis of Canadian horror cinema illustrates alternative approaches to gendered readings by focusing on the Canadian imagination: wildness, horror and chaos not only break into an enclosed community, but burst forth from it. Bruce McDonald’s Pontypool (2008) illustrates the way in which not all horror films operate along strictly “gendered” lines. Jaume Collet-Serra’s Orphan (2009) indicates that even those horror films which do operate along “gendered” lines are not always structured around a “heterosexual divide”. Paul Fox’s The Dark Hours (2005) suggests those “gendered” horror films that are structured around the “heterosexual divide” can re-imagine viewership as both masochistic and sadistic. Ultimately, this study of female representations and female viewership endeavours to demonstrate the complexity and frequent misrepresentation of these issues.